Panhellenic Games are described as agones stephanites, a term denoting that the prize was a wreath made of branches of trees or plants. At Olympia, the prize was the kotinos, a crown from the wild olive that grew next to the temple of Zeus. Respectively, at the Pythian Games, victors were awarded laurel wreaths; at the Isthmian Games the winners received a wreath of pine and at the Nemean Games they were given a crown of wild celery —plants associated with the god worshipped in each sanctuary and the relevant myths concerning the foundation of the games. By contrast, local games were chrematites and offered monetary rewards so as to attract a large number of eminent athletes. In the Homeric epics, cauldrons and tripods, highly valuable metal vessels were given to the victors, while in historical times, the Panathenaic amphorae containing the exquisite olive oil of the Attic land constitute a known example.

In the ancient Olympic Games, there was only one victor per event that received the kotinos. At the end of the competition, the winner, crowned with a red band, holding a palm branch, went on a lap of honour among the spectators’ cheers. The kotinos was awarded to all victors most likely on the last day of the Games in front of the temple of Zeus. Victory was seen as a significant accomplishment, as it implied the gods’ favour, glory to the athlete, but also his homeland, therefore, every city-state granted privileges and honours to those who excelled in the Games. Their fame was spread across the entire Hellenic world; poets praised their achievements and sculptors created their statues, immortalizing their name.

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Miniature votive tripod cauldron (lebes)

The small tripod lebes renders the shape of larger similar cauldrons. It is supported by three solid legs and has two circular, vertical handles decorated at the top with small birds. It was a votive offering to the sanctuary. Large tripod lebetes (cauldrons) were popular votive offerings to ancient Greek sanctuaries.

Representation of a forged tripod cauldron (lebes), according to the standards of the 8th c. BC

Representation of a tripod lebes of the middle of the 8th c. BC. It has engraved decoration on its forged legs and also around the rim and on the handles, which are also forged, circular and decorated by horses.

Attic amphora with horses and tripod

On the neck of the amphora a tripodic lebes is depicted with a pair of horses tethered to its handles. Βelow the horses, waterfowl can be seen. Besides their functional uses, lebetes were also offered as prizes for sporting events. However, according to the Homeric poems, horses were also used as prizes in games held to honor the deceased, as in the funerary contest in honor of the dead Patroclus, the beloved companion of the hero Achilles (XXIII 257–260).

Attic trefoil oinochoe with inscription

On the shoulder of the vase the oldest testimony of Greek alphabetic writing is preserved. The first of the two sentences, written in verse, is easy to read: “hoς νῡν ὀρχεστῶν πάντων ἀταλλότατα παῖζει” (Whichever of all the dancers now skips most graciously). On the contrary, the letters of the following sentence are illegible.

Bronze wreath with leaves and part of an olive branch

Eighteen bronze olive leaves and part of an olive branch, composing a bronze wreath. It is one of many other similar objects dedicated to the sanctuary of Zeus. The olive leaves either individual or as parts of an olive branch were votive offerings to Zeus. Some of the leaves have the inscription "ΔΙΟΣ" (ZEUS) engraved on them.

Votive relief

The relief depicts a nude youth, turning to the left. His hair, tied with a ribbon, hang wavily on his neck. With his right hand, he is crowning himself by placing a metal wreath on his head, which was attached to the holes seen on his hair. The relief is probably the votive of a winner of the naval contests with triremes (ancient warships), which took place, since the 5th c. BC, during the Athenian festival of Panathenaia, at Piraeus and Sounion.

Part of a relief slab with a winged Nike, the “Sandalbinder”

Relief slab depicting a Nike, the personification of the idea of victory in athletic and martial contests.

Red figured oinochoe (wine jug) depicting Nike at an altar

The vase is decorated with a representation of Nike (Victory) at an altar. The winged goddess wears a crown and is dressed in a long garment (chiton) and cloak. She bends over an altar. With her right hand, she is sprinkling incense on the flames, taken from a small container she holds with her left hand.

Red-figure krater with depiction of an athlete’s award

On one side, two Nikae, one with wings, the other without, are approaching a young man. The naked youth holds a javelin, whereas the two Nikae are bearing ribbons. The scene is a representation of an athlete’s award after winning javelin throwing games.

Attic red-figure pelike depicting a victory in a dithyrambic contest

A Nike attempts to restrain a bull. A second Nike on the right is about to crown with a colored ribbon the animal, which is then to be sacrificed. The scene is unfolded in front of a large tripod on a high base, the symbol of the first prize at a theatrical, musical or athletic contest.

Βlack-figure amphora depicting an athletic victory celebration

The victorious wreathed athlete holds leaved branches in his hands and has victory ribbons tied to his arms. Beside him the herald proclaims his victory; small dots next to his open mouth denote his words. Behind the herald starts a grand procession, led by a flute-player, who is followed by five lyre-players.

Stone base with foot of a bronze statue of an athlete

Athlete statue base, winner of competitions. On the upper surface is preserved the right foot of the bronze statue set to the plinth with lead. Probably it belonged to the well-known athlete named Kapros (boar), wrestler and pancratist. In the middle of the width of the base is kept an ancon (a projecting boss) that was obviously used for its lifting and placement.

Inscribed dedicatory monument of a winner in equestrian contests

A lost today statue is dedicated by a winner athlete and sculptor. According to the inscription the dedicator won in a horse race and a sculpture competition. The sculptor name has not been preserved and would have been written above the epigram.

Marble inscribed statue base

The marble base, was originally set up in the city theater. The base bears the inscription ’’Πολυκλή Λυσάνδρου νικήσαντα [- - -] Ολύμπια, Λύκαια, ο δάμος ανέ [θηκεν]’’, in honor of Polyklis Lysandrou, an olympic athlete, who had won at Olympia and Lycaea.

Votive Relief with representation of an athlete

The athlete wears a long himation leaving the upper part of the body uncovered, held in a knot on the left elbow. He holds an olive wreath, a symbol of his victory in athletics. The lips are full and open with a smile, giving the face an expression of slight contempt. Based on the treatment of the nose and ears, he possibly represents a boxer.

Inscribed cylindrical altar

Karpion offers this votive offering to Nike, probably as a thanks for his victory in a contest and after a fulfillment of a vow, as the word "εὐχήν" indicates.

Grave relief of an ephebe

Marble grave relief representing an ephebe bearing a himation and prizes in sports competitions. An amphora is depicted on the right and a bough of a palm tree on the left, on which there is a wreath, all of them symbols of victory.