Wrestling (pale)

Wrestling was one of the oldest and most popular events that required physical strength, but also technique.

It was first introduced into the programme of the 18th Olympiad in 708 BC, both as a separate and a pentathlon event. In wrestling, as an independent event, participated remarkably robust professional athletes with great body weight which was the result of a special diet enabling them to overpower their opponent. As a pentathlon event, it retained its original technical characteristics and combined speed, fitness, precision and agility.

Wrestlers anointed their body with oil and fought nude in a special area of the stadium, on a bed of sand (skamma). The pairs of wrestlers were selected by lot.

There were two forms of wrestling, orthia or orthopale or stadaia pale (upright wrestling) and alindesi or kylisin or kato pale (ground wrestling). In upright wrestling, the winning athlete had to throw his opponent down three times. In ground wrestling, a wrestler’s fall did not suffice. The defeated athlete admitted his submission by raising his index finger or his index and middle finger of his hand in the apagoreuein gesture.

The various holds of the wrestlers were particularly brutal. Hitting, grasping of genitals, biting and wrestling outside the pit (skamma) were prohibited.

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Base of a funerary kouros

The base is square and has a cavity on the top surface to receive the plinth of the funerary statue. The three visible sides have relief representations of the athletes’ training sessions, of their games and of leisure activities in the gymnasium.

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Grave stele of a wrestler

Plain stele without a border, with the name of the deceased written on its upper part: “ΑΓΑΚΛΗΣ ΦΡΥ[ΝΙΧ]Ο” (Agakles, son of Phrynichos). Depiction of a mature aged, bearded, nude athlete, who is standing turned to the right.

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Panathenaic amphora

On one side is portrayed Athena Promachos turning left, carrying a shield that features the gorgoneion as episemon (insignia). She wears sumptuous chiton, ependytes (outer garment) and aegis.

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Marble head of a heroized athlete in the type of Heracles

Marble beardless head belonging to a statue of a victor, possibly in the pankration or wrestling. The idealistic facial features point to the schools of the famous sculptors Skopas or Lysippos.

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